HUTONG SITTING ROOM
CADG Summer Studio
2021.7-2021.8Site: Beijing, China
Instructor: Zhaohui Wu
Individual Work
[ANCIENT CAPITAL STYLE – still for living]
The scope of this project is Yude Hutong in Pinganli
area, which belongs to the "Ancient Capital Style and
Features Protection Area". Public space is the basic
attribute of Hutong. In the existing Hutong space,
public activities are very abundant. There is no need
to re-plan community life, but to provide topics and
places for public activities. The demolition of the wall
opens the enclosed courtyard, while the retention of
the door, electric meter, and other components realize
the superposition of time and space scenes so that the
development history of the courtyard is revealed. At
the same time, the preservation of various objects also
provides the possibility for future residents' independent
transformation. The information of each period remains
on the architectural entity, which brings the overlapping
of architectural time and space scenes. The cohabitation
of public and private scenes also provides residents
with the superimposed gain of public and private rights.
Greening is not only to play the role of green protection
and landscape. In the public and private life of the
community, greening plays an important role. For many
elderly people, cultivating plants is a signifi cant part of
their leisure life.
The site is located in the Pinganli area within the second
ring road of Beijing, which is a traditional historical
district. The base not only preserves the traditional
courtyard house but also has newly built high-rise
buildings, presenting a completely diff erent scene on the
plan and the elevation
Site Research
In the bungalow area on the west side of the hutong,
a very vivid life scene has been formed through the
transformation and participation of residents on the
public facade of the building. Various buildings and
additional small components on the pavement are the
main objects I observed. They refl ect the various details
of residents' lives.
There are intersections on both sides of the roadway
leading to the construction site of the subway station.
The deepest point leads to an existing yard.
On the simple masonry wall, various components used by
the residents create the intention of the entrance, which
is extremely confusing. The structure is composed of an
iron frame and the electric meter is placed at the top of
the door, which not only functions as an electric meter
but also marks the entrance. At the same time, it seems
to tell us that inside this door is a large courtyard with
many residents, but the current facts are no longer the
case. The iron frame is distinguished from the electric
meter as a supporting structure, reflecting the clear
construction ideas between diff erent components.
Concerning the basic structure of the house, the residents,
through the addition of various functions, fi nally formed
a well-founded, cluttered and undisciplined public facade
image. Residents have fully satisfi ed and expressed their
pursuit of quality of life under limited conditions. Every
small object used has its clear function behind it. There
is no superfl uous thing, and every element added has its
characteristics. There are some unreasonable places,
such as leaks in air-conditioning water pipes, but they
are all controlled within acceptable limits. In short, it
can be seen from the rationality of the public facade
configuration that the residents have extremely clear
design goals and strong control over materials.
LIFE SCENE
The grandmother of the household said that her life has become
very comfortable after the demolition. The residents of the original
courtyard moved to the upper fl oors of the Lugou Bridge area due to the
construction of the subway station. A stove was set up under the shelf as
kitchen. She grow flowers and raise animals in the courtyard.
Private:
Close the door is a private garden. The one on the left was originally a large courtyard
with 12 households but was demolished due to the
construction of the subway station. Now the one on the
right will use the scaff olding inside, and the middle
and right two are bedrooms. The door on the left was
originally the courtyard door, but now it serves as
the door of this household, and the door on the right
is not used. The gate of the courtyard was originally
made of red wood and covered with red iron. After the
demolition, there was a damaged ring on the right side,
the construction team replaced the blue iron door for
the residents, and the left one was retained and fi xed,
and no longer opened.
Public:
Opening the door is like a corner park . The garden was originally a yard and was originally
a part of the public space. Because the demolition
activities were occupied by individual households, it
was not a normal way to use it. In the exchange, it
was found that the residents did not necessarily have
the willingness to close the occupancy. The former
courtyard has a neighborhood supervision mechanism
to ensure safety. But now the bedroom of the residents
directly opens the door to the garden. If the garden
becomes a public place, it will affect the safety of the
residents.
AXONOMETRIC DRAWING
THE EVOLUTION OF THE PLAN
To abandon the way of handling the door to deal with public-private relations, I remove the wall to open the garden without forming
a dark corner in front of the residents. Keeping wooden doors, electric meters, and other components and fi xing them with a steel
frame form an open community park. I use sunlight panels that are commonly used by residents for certain shades.